'Check-In, Check-Out'
Louis Vuitton - Spring/Summer 2013
I'm taking this opportunity to talk about something I've been seeing everywhere recently and that's Vuitton's 'Check-In, Check-Out' s/s 2013 collection. The Creative Director was not only the brilliant Marc Jacobs, of course.
The show was set in a tent in the grounds of The Louvre and featured four towering escalators which led down onto a glossy runway of neon yellow checkers. It seemed that the show was trying to replicate some sort of department store and it certainly seemed that way when models descended the runway in straight neat pairs.
The only interruption of checks – which came in the most microscopic sequins that appeared as liquid glistening evening looks – was an abstract flower print in yellow, grey or white.' - Elle UK

My favourite look of the collection was the brown coat on the left of the image on the right. I liked the way it looked chic and sophisticated. The sort of jacket you'd see on a younger girl walking her two young puppies in Central Park. The other outfit I liked was the second one in on the photograph of the six models. I adore the way the tiny crop top was paired with a long skirt in the same checked pattern. I think this is because the garments shape were completely opposite of each other. One was incredibly revealing while the other didn't show any sign of doing so. The clash of this was pulled off perfectly.
Although I did adore those pieces in particular, I was overall not extremely impressed with this collection. Personally, I did not really feel anything towards the collection. No emotions. Nothing. I wasn't really wowed even though I did adore the stage. I designed a similar dress at school last year for my textiles class so this show was slightly personal with me. Mine featured black and white checkers as my theme was 1960s. I love the concept behind using checkers; I just thought it could've been done in a more imaginative way this season. Especially as there last S/S show in 2012 was completely original and unique (see right) centred around the carousel where models wore candy coloured clothing inspiring last years pastel craze.
The show was set in a tent in the grounds of The Louvre and featured four towering escalators which led down onto a glossy runway of neon yellow checkers. It seemed that the show was trying to replicate some sort of department store and it certainly seemed that way when models descended the runway in straight neat pairs.
'The ‘twins’, with their hair sculpted into modern beehives secured with a white bowed Alice band, and their shoes, patent pointy-toed midi-heels, were straight out of the 1960s – a seamless continuation of the designer’s eponymous show, presented in New York three weeks ago.
The staging was it's pinnacle point for me. The reason why I loved the staging so much was the discordance and disharmony between the yellow of the checks on it and the garments themselves. I absolutely adored the contrast which made it so hard to watch yet you couldn't pull your eyes away.

My favourite look of the collection was the brown coat on the left of the image on the right. I liked the way it looked chic and sophisticated. The sort of jacket you'd see on a younger girl walking her two young puppies in Central Park. The other outfit I liked was the second one in on the photograph of the six models. I adore the way the tiny crop top was paired with a long skirt in the same checked pattern. I think this is because the garments shape were completely opposite of each other. One was incredibly revealing while the other didn't show any sign of doing so. The clash of this was pulled off perfectly.
Although I did adore those pieces in particular, I was overall not extremely impressed with this collection. Personally, I did not really feel anything towards the collection. No emotions. Nothing. I wasn't really wowed even though I did adore the stage. I designed a similar dress at school last year for my textiles class so this show was slightly personal with me. Mine featured black and white checkers as my theme was 1960s. I love the concept behind using checkers; I just thought it could've been done in a more imaginative way this season. Especially as there last S/S show in 2012 was completely original and unique (see right) centred around the carousel where models wore candy coloured clothing inspiring last years pastel craze.
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Have a lovely day.
- Rebecca











